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Other highlights included Jason Marsalis, youngest scion of the New Orleans family, leading a quartet in which he played vibraphone. Already established as one of the world’s most accomplished drummers, he played vibes with a distinctive timbre, and also proved himself as an exceptional bebop whistler. His band turned up en masse to the after hours jam session, where bassist Jean-Felix Mailloux had earlier presented a beguiling mix of Latin and Balkan music. The hallmark of a successful festival is this kind of jam, and it is a tribute to the informal and friendly atmosphere of Quebec that many of the stars turned up on successive nights to the converted church that is now the ﾃ鋭pace Hypﾃｩrion to play along or hang out with local drummer Jim Doxas and his legions of Canadian musicians.
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